Black History Month: Why Is It Needed? Extraordinary Black Contributors

Here is a list of 15 Black scientists who's inventions and patents changed our lives for the better and who's accomplishments are well noted. They are only a few among many. Included are Charles Drew who invented the blood bank, Dr. Daniel H. Williams who performed the first prototype open heart surgery and Garrett Morgan who invented the first traffic signal and patented gas mask. I hate when articles are published with such small font but using the zoom feature took care of that.
https://www.famousscientists.org/15-famous-black-scientists-in-history/
 

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If we ever get that damn virus under control, and people start visiting Washington, DC again, I very much recommend a visit to the African American museum. It is a heartbreaking and inspiring history of the Blacks in this country, from slavery up to the present.

However, it really is just the African AMERICAN museum. I don't remember seeing a whole lot about the fascinating cultures and peoples of Africa. I know this is a rich, varied story in itself; after all, Africa is an entire continent. Yet Americans (maybe the entire western world) knows practically nothing about it. Exhibits about all the different African cultures would take up another entire museum! I wish we had one. Just the art and clothing would be fantastic, in addition to all the stories that are probably buried in that history.

We do have a museum about the Native American tribes, which I always intended to visit and never got around to. Maybe some day I'll be able to get there.
I visited the National African American History museum in October 2019. I met up with my online BFF of 13 years for the first time. It was more about us meeting and her also meeting some cousins she had found on Ancestry. She's originally from D.C. so other cousins met us there too. We wound up only seeing one floor of the museum before lunch in their cafe. The day was cut short by a big storm that was coming through. I hope to get back there one day also. I'd love to take my two youngest grandchildren, ages 16 and 18 (at least). I took my son to the Smithsonian when he was a youngster and he thoroughly enjoyed it.
 
On this day in history, the 15th Amendment was ratified.

The Fifteenth Amendment to the United States Constitution prohibits the federal government and each state from denying a citizen the right to vote based on that citizen's "race, color, or previous condition of servitude." It was ratified on February 3, 1870, as the third and last of the Reconstruction Amendments.
 

I visited the National African American History museum in October 2019. I met up with my online BFF of 13 years for the first time. It was more about us meeting and her also meeting some cousins she had found on Ancestry. She's originally from D.C. so other cousins met us there too. We wound up only seeing one floor of the museum before lunch in their cafe. The day was cut short by a big storm that was coming through. I hope to get back there one day also. I'd love to take my two youngest grandchildren, ages 16 and 18 (at least). I took my son to the Smithsonian when he was a youngster and he thoroughly enjoyed it.
Diva, which floor did you see? The way they have it laid out is very interesting. The downstairs level deals with the past, including slavery, Jim Crow, and all the horrors. But when you go upstairs, the picture brightens considerably. It has a lot of exhibits about Blacks in the modern world who accomplished tremendous things. Both are part of African American history, of course, but you really need to see both to get a balanced picture. I hope you and your grandchildren get a chance to visit the museum again.

I miss the Smithsonian, and hope to be able to go down there this year. Our Metro service has been terrible, and is often shut down. I hope that improves also; it's the only way I'd go to downtown DC. (The Metro used to be a wonderful subway system; I don't know what's happened to it.)
 
The Harlem Hellfighters of the 369th Infantry distinguished themselves during World War One

Among the first U.S. regiments to arrive in France for World War I, and among the most highly-decorated when it returned, was the 369th Infantry (formerly the 15th Regiment New York Guard), more gallantly known as the "Harlem Hellfighters." The 369th was an all-black regiment under the command of mostly white officers, including commander Colonel William Hayward.

General John J. Pershing assigned the 369th to the 16th Division of the French Army, where they helped repel the German offensive and launched a counteroffensive. The Harlem Hellfighters fought at Chateau-Thierry and Belleau Wood, with a total of 191 days in combat-- longer than any other American unit in the war.

"My men never retire, they go forward or they die," said Colonel Hayward. Indeed, the 369th was the first Allied unit to reach the Rhine.

The extraordinary valor of the 369th earned them fame in Europe and America. Newspapers headlined the feats of Corporal Henry Johnson and Private Needham Roberts. In May 1918 they were defending an isolated lookout post on the Western Front, when they were attacked by a German unit. Though wounded, they refused to surrender, fighting on with whatever weapons were at hand. They were the first Americans awarded the Croix de Guerre, and they were not the only Harlem Hellfighters to win awards; 171 of its officers and men received individual medals and the unit received a Croix de Guerre for taking Sechault.

https://www.military.com/history/untold-stories-harlem-hellfighters
 
The Harlem Hellfighters of the 369th Infantry distinguished themselves during World War One

Among the first U.S. regiments to arrive in France for World War I, and among the most highly-decorated when it returned, was the 369th Infantry (formerly the 15th Regiment New York Guard), more gallantly known as the "Harlem Hellfighters." The 369th was an all-black regiment under the command of mostly white officers, including commander Colonel William Hayward.

General John J. Pershing assigned the 369th to the 16th Division of the French Army, where they helped repel the German offensive and launched a counteroffensive. The Harlem Hellfighters fought at Chateau-Thierry and Belleau Wood, with a total of 191 days in combat-- longer than any other American unit in the war.

"My men never retire, they go forward or they die," said Colonel Hayward. Indeed, the 369th was the first Allied unit to reach the Rhine.

The extraordinary valor of the 369th earned them fame in Europe and America. Newspapers headlined the feats of Corporal Henry Johnson and Private Needham Roberts. In May 1918 they were defending an isolated lookout post on the Western Front, when they were attacked by a German unit. Though wounded, they refused to surrender, fighting on with whatever weapons were at hand. They were the first Americans awarded the Croix de Guerre, and they were not the only Harlem Hellfighters to win awards; 171 of its officers and men received individual medals and the unit received a Croix de Guerre for taking Sechault.

https://www.military.com/history/untold-stories-harlem-hellfighters
Excellent post Pecos; thank you! I'd never heard of the Harlem Hellfighters before! I must share this on other forums!

@Nosy Bee-54 Thank you. I had heard of Mighty Sparrow. I'll check them both out.
 
Diva, which floor did you see? The way they have it laid out is very interesting. The downstairs level deals with the past, including slavery, Jim Crow, and all the horrors. But when you go upstairs, the picture brightens considerably. It has a lot of exhibits about Blacks in the modern world who accomplished tremendous things. Both are part of African American history, of course, but you really need to see both to get a balanced picture. I hope you and your grandchildren get a chance to visit the museum again.

I miss the Smithsonian, and hope to be able to go down there this year. Our Metro service has been terrible, and is often shut down. I hope that improves also; it's the only way I'd go to downtown DC. (The Metro used to be a wonderful subway system; I don't know what's happened to it.)
We went to the fourth floor, the media/entertainment floor. My online BFF's good friend was an Oscar winner. She face timed him as soon as we got there to ask him where his Oscars were located so he directed us to that floor. We headed up there and wound up not only seeing the exhibits and watching videos playing but just hanging out having conversation with one another. Had we known about the storm warning sooner we probably would have at least tried to see another floor. She and her S.O. had a 40 minute drive to their hotel. They dropped me off at mine which was only about 5 or 6 minutes away. By the time I got to my hotel, the strong winds and rain had started. Here's the pictures of her friend Russell William's Oscars and what he won them for. As you can see, Russell made history himself.
20191031_113944.jpg20191031_114035.jpg
 
African American John Robinson was fighting fascism in North Africa long before the United States entered WWII. The Col became known as the Father Of The Tuskegee Airman here in the United States.

In 1935, fascism was on the rise in Europe and Asia, but the world had not yet had to fight its territorial expansion on a global scale. Adolf Hitler had been elected as chancellor of Germany just two years prior, and Hideki Tojo was still six years away from bringing the United States into World War II.

But Benito Mussolini, who had been in power in Italy since 1922, was bent on finally conquering Ethiopia. It would erase Italy's failure at the 1896 Battle of Adwa that secured Ethiopia's independence and kept it from becoming a European colony while establishing Italy as a major world power.

Leading Ethiopia's young air force was African American pilot John Robinson, a young black activist and aviation enthusiast who would blaze a trail of black men flying into combat against fascist dictators.

Robinson, a former shoe-shiner and warehouse worker, left his home in Mississippi after the 10th grade to earn a degree in auto repair from Alabama's famed Tuskegee Institute. He traveled around the country looking for work, but had a hard time finding someone who would hire a black mechanic.

His persistence paid off, and he eventually found himself working in a garage doing what he loved. But he had a new dream: flying. While working in a Detroit garage, he met Cornelius Coffey, a fellow mechanic. The two were inspired by the achievements of Chicago's Bessie Coleman, the first black woman to receive an international pilot's license. Coleman famously encouraged African Americans and women to learn to fly.

Coffey and Robinson applied to the Curtiss-Wright School of Aviation in Chicago and were accepted -- until the school learned about their race.

The school repeatedly denied Robinson's applications to attend, so he took a job as a janitor and sat in on classes anyway. He was an attentive student, even if he wasn't technically enrolled. He learned so much he was able to build his own aircraft with Coffey, using an old motorcycle motor. It was a feat that finally inspired the school to accept them as students.

Soon, Robinson had a pilot's license of his own. He didn't stop there, however. He and Coffey founded an African American flight school, the John Robinson School of Aviation, in Robbins, Illinois, a predominantly black suburb of Chicago. Though the school hired them to teach black pilots, the two were not allowed to use white airstrips.

So they built one by hand.

In 1935, Italy was bullying Ethiopia for territory in East Africa as European powers and the League of Nations looked the other way. Robinson volunteered to go to Ethiopia and fly in service to its emperor, Haile Selassie I. When the emperor learned about his new volunteer, he extended an invitation for Robinson to come and teach his pilots how to fly.

Robinson was appointed commander of the Ethiopian Air Force by August 1935. He didn't have much to work with -- about 19 unarmed biplanes and 50 pilots. But his men were able to fly reconnaissance and resupply missions to Ethiopian troops in the field. They were outmatched by the superior combat aircraft the Italians were flying. Still, Robinson’s skill and daring in the air earned him the nickname "the Brown Condor."

That October, Italy invaded in full force, and Ethiopia was crushed. The war lasted just seven months before Ethiopia was annexed by Italy. Robinson returned home to the United States, where he received a hero's welcome.

The 'Father of the Tuskegee Airmen' Led the Fight Against Fascism in Africa | Military.com
 
I don't mind and I admire Black History month, but, there are a few mis-conceptions.
https://en.wikipedia.org/wiki/Lester_Wire
https://en.wikipedia.org/wiki/Lewis_Haslett
Wikipedia as well as this booklet about African American scientists and inventors that I got at the African American historical museum in Philadelphia both credit Garrett Morgan with the invention of the three position traffic signal in 1916. Lester Wire is credited with inventing the electric traffic light in 1912. Apparently there is enough of a difference in the two inventions to allow for both men being credited with "firsts". This line from Morgan's Wiki page may explain. "To deal with the growing problem of traffic accidents, a number of different versions of traffic signaling devices began to be developed simultaneously, starting around 1913." Here are two Wikipedia pages listing Garrett Morgan as the inventor and his page from the booklet. I'll check out Hazlett later.
https://en.wikipedia.org/wiki/Garrett_Morgan https://en.wikipedia.org/wiki/List_of_African-American_inventors_and_scientists
Garrett Morgan.jpgBlack Scientist Booklet Cover.jpg
 
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I visited the National African American History museum in October 2019. I met up with my online BFF of 13 years for the first time. It was more about us meeting and her also meeting some cousins she had found on Ancestry. She's originally from D.C. so other cousins met us there too. We wound up only seeing one floor of the museum before lunch in their cafe. The day was cut short by a big storm that was coming through. I hope to get back there one day also. I'd love to take my two youngest grandchildren, ages 16 and 18 (at least). I took my son to the Smithsonian when he was a youngster and he thoroughly enjoyed it.
In the meantime, there's a bunch of virtual tours on youtube.

Here's one:
 
@Pecos @Irwin & @Dana Thank you for your contributions to this thread. They are interesting and informative. Pecos, I'd never heard of John Robinson although I'd heard of The Tuskegee Airmen. Dana, I heard the Sally Hemmings story before but had never seen the documentary, I'll watch the Oprah episode later. Irwin, Montreux sure has had some great concerts. I wasn't aware of Otis Rush and his music but he's really good. Him and Eric Clapton on stage...what a treat for the audience. Excellent collaboration.

@Murrmurr Thank you for sharing this video. I'll definitely check it out others as well.
 
Question:

Black History Month: Why Is It Needed?​

My answer:

The great achievements of Black people and women in general have largely been ignored in history. I have heard of women in history who either used masculine names for their writings or had their works recognized as being created by their husbands. I don't know if that is also true of Black people of both genders having their contributions recognized as having been achieved by white people or not, but I wouldn't be surprised.

Recognition of the achievements and contributions by Black people is long overdue. If anything, it is a real shame that it has taken this long to recognize these achievements and contributions.

Tony
 
Question:

Black History Month: Why Is It Needed?​

My answer:

The great achievements of Black people and women in general have largely been ignored in history. I have heard of women in history who either used masculine names for their writings or had their works recognized as being created by their husbands. I don't know if that is also true of Black people of both genders having their contributions recognized as having been achieved by white people or not, but I wouldn't be surprised.

Recognition of the achievements and contributions by Black people is long overdue. If anything, it is a real shame that it has taken this long to recognize these achievements and contributions.

Tony
Tony I agree. Thank you for posting this. My husband and I went to Rev. Al Sharpton's music forum that had featured Michael Jackson and other Black artists who were there to discuss not receiving their just dues from the music industry. Michael was only at the podium a couple of minutes after we arrived because we were late. But he had the same complaint as everyone else. I met a woman who, if I recall correctly, had been a member of The Crystals. She said her grandfather wrote a song Elvis recorded that became a hit. Her grandfather never got credit nor payment for it. There are certainly other examples of White artists covering songs by Black artists.

Then of course, there are the women who were so critical to NASA mission successes whose story was finally told in the movie Hidden Figures (mentioned in another thread). I don't know about specific incidences of Black female authors but I believe women in general took male pseudonyms when they wrote because they felt they had to in order for their works to be taken seriously and get published.
 
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If it weren't for Robert Johnson.................I hate to think about it. Besides selling his soul, he died at that magical musical age of 27, but he left a great, incredible legacy.
The weird thing about Robert Johnson's music is that it took the British to bring this music to the white American public by doing covers of his tunes. In this country, recordings by Black musicians were called "race records" and were not to be played on radio intended for white audiences. Part of the marketing decision behind Elvis with tunes such as "Hound Dog" was that he (sorta kinda, in a round about way) sounded Black, and because he was white, could be played on white stations. When we did get to hear Black musicians, it was not Robert Johnson and any of the Delta Blues players, but instead Chuck Berry and those of the early days of rock and roll. Not that there was anything wrong with these musicians, they were great, but it wasn't until the Rolling Stones, Cream, John Mayall, and other British musicians began doing covers of Robert Johnson tunes that white American audiences were introduced to this music that originated in their own country.

Edit: The folk revival also served to bring a number of forgotten southern Black musicians to New York's Greenwich Village, the Newport Folk Festival, and other such venues. The guitarist, John Fahey, also did much to bring a number of older Black blues musicians to white audiences.

Anyway, the overall point here is that it took a relatively small number of very dedicated Americans to bring this music to the public, along with British musicians who made it into mainstream American radio to overcome the barriers of racism in the music business.

Tony
 
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I first became aware of the Great Kings and Queens of Africa decades ago when Budweiser published a poster with their pictures and an article was done about them in Ebony magazine. We certainly were never taught about these magnificent, powerful, beautiful rulers in our schools. I was so happy to find this video, also sponsored by Budweiser, when I searched to see if the poster was still available.

 
"Sometimes referred to as the Jackie Robinson of professional bull riding, Myrtis Dightman made history in 1964 when he became the first African-American to compete in the National Finals Rodeo and he went on to compete on rodeo’s biggest stage six more times in a brilliant career that spanned three decades." To read the rest of the article: https://www.prorodeohalloffame.com/...d to as the,career that spanned three decades.
 
The weird thing about Robert Johnson's music is that it took the British to bring this music to the white American public by doing covers of his tunes. In this country, recordings by Black musicians were called "race records" and were not to be played on radio intended for white audiences. Part of the marketing decision behind Elvis with tunes such as "Hound Dog" was that he (sorta kinda, in a round about way) sounded Black, and because he was white, could be played on white stations. When we did get to hear Black musicians, it was not Robert Johnson and any of the Delta Blues players, but instead Chuck Berry and those of the early days of rock and roll. Not that there was anything wrong with these musicians, they were great, but it wasn't until the Rolling Stones, Cream, John Mayall, and other British musicians began doing covers of Robert Johnson tunes that white American audiences were introduced to this music that originated in their own country.

Edit: The folk revival also served to bring a number of forgotten southern Black musicians to New York's Greenwich Village, the Newport Folk Festival, and other such venues. The guitarist, John Fahey, also did much to bring a number of older Black blues musicians to white audiences.

Anyway, the overall point here is that it took a relatively small number of very dedicated Americans to bring this music to the public, along with British musicians who made it into mainstream American radio to overcome the barriers of racism in the music business.

Tony
Eric Clapton is also partially responsible for the popularity of Reggae music after he recorded Bob Marley's I Shot the Sheriff.

The Fillmore in San Francisco, and Winterland, I think those were the names, used to have blues musicians open for big name rock bands. Some of them probably made more from one show than they did from years of performing in the Chitlin' circuit.
 


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