Old_Dame
Member
- Location
- California
The questions that rise to me are; Is the little boy “morally” or “mentally” threadbare? And, if diagnosed as falling into one or the other (or both?) category; is his condition verifiable [fixable]?
If evidence proves there’s no hope of reformation or recovery, then does society, or parent/legal guardian, become responsible for maintaining, sustaining, corrupted life at what cost, and for how long, and for what purpose?
In the film, “The Bad Seed” Christine, the kind mother of the 8-year-old girl Rhoda, discovers her daughter has murdered three people. [“It can be hypothesized that Rhoda suffers from antisocial personality disorder because the motives to her crimes are for her own self-fulfillment.” She shows no morals or emotion.] In not wanting Rhoda to harm others, or having Rhoda harmed or put on a psychological exhibition, Christine attempts to take both Rhoda’s life and her own.
I’ve always felt this was an astounding progressive approach, written in 1954 by William March. The pill-scene of a loving mother taking responsibility for a most beloved yet corrupted youngster. It’s an ill-fated gesture that is both bold and contrary, and continues to elicit tremendous controversy through the years over right vs. wrong life issues.
If evidence proves there’s no hope of reformation or recovery, then does society, or parent/legal guardian, become responsible for maintaining, sustaining, corrupted life at what cost, and for how long, and for what purpose?
In the film, “The Bad Seed” Christine, the kind mother of the 8-year-old girl Rhoda, discovers her daughter has murdered three people. [“It can be hypothesized that Rhoda suffers from antisocial personality disorder because the motives to her crimes are for her own self-fulfillment.” She shows no morals or emotion.] In not wanting Rhoda to harm others, or having Rhoda harmed or put on a psychological exhibition, Christine attempts to take both Rhoda’s life and her own.
I’ve always felt this was an astounding progressive approach, written in 1954 by William March. The pill-scene of a loving mother taking responsibility for a most beloved yet corrupted youngster. It’s an ill-fated gesture that is both bold and contrary, and continues to elicit tremendous controversy through the years over right vs. wrong life issues.