"Lightness of Being" (2004)
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Photo by Canadian photographer Chris Levine
The Uncharacteristically Serene Photograph Was Snapped Between Poses
While almost celestial in appearance, the photograph is also a decidedly human portrait. Here Queen Elizabeth II bears the badges of age, with a shock of white hair and wrinkles lining her face. Yet the image nevertheless exudes power and a sense of calm and serenity. The Queen sits against a blank gray backdrop that could be imagined as the state of her mind. 'Lightness of Being' is unique in that it captures a sense of calm around the famously energetic monarch.
“One thing all artists will tell you is that the Queen does not sit still. And you really cannot say, ‘Ma’am, will you please bloody well sit still,’” said one portraitist, John Wonnacott, who painted the royal family in 2000. Levine brought a tempering influence: “Increasingly my work and direction have been informed directly out of meditation. Stillness is a portal to the divine, and by taking my subjects towards stillness, it allows for a more soulful connection with the subject, and that light radiates in the work,” he has said of the image.
Levine is known for photographs that explore the outer limits of light’s relationship to photography, including holograms, and the staging for this shot was particularly bright. “My Queen sittings took place not long after I first found meditation. I was very conscious of Her Majesty’s breathing and timed the 3D camera pass with her breathing cycle to infuse a sense of calm into the image. Lightness of Being was captured when I asked Ma’am to rest between camera passes,” said Levine.
Ahead of the sitting, the royal staff called Levine to choose a few items for the queen to wear for the portrait. “Up until that point, I had assumed I’d be working with whatever Ma’am decides to wear on the day and I was ok with that, but instead I got to style Her Majesty and that included making a selection from the Crown Jewels,” Levine explained. Among Levine’s selections the George IV State Diadem tiara, also known as the Diamond Diadem, which Elizabeth II had worn during her coronation.
“I chose the diadem for its beautiful understated simplicity compared to some of the more ornate creations, and for its cross,” Levine noted. The crown is encoded with regal iconography, too. It was first commissioned by the lavish-living George IV in 1820 and has since been worn by queens and their consorts on official occasions. The diadem is decorated with some 1,333 diamonds weighing a total of 320 carats. An icon of the throne, the crown appears on stamps and currency and was often sported by Queen Victoria. Symbolically, the diadem boasts four bouquets of roses, thistles, and shamrocks—references to England, Scotland, and Ireland, and the queen’s dominion over those regions.
Queen Elizabeth was often depicted wearing pearls. In Levine’s portrait, her usual three strands are reduced to an elegant single strand. While a seemingly innocuous choice, the inclusion of pearls has deep symbolic import. English Queens have worn pearls since time immemorial. Pearls are traditional for queens going back 1,000 years—there has never been a queen who didn’t wear pearls.” For Queen Elizabeth II, pearls also held familial significance. Taking a cue from her namesake, the queen’s parents gave her a chain to which they added two pearls on every birthday. Upon her father’s coronation, the queen was given a full necklace in 1937.