A Complete Unknown....Prime ($3.99)
Loved it!
I too enjoyed the picture, although the screenplay could've been better. Some commentary:
A Complete Unknown (2024)
Entertainer biopics are tough to pull off because they often end up being caricatures of caricatures, the subjects themselves being larger than life in their fame. Although
A Complete Unknown encapsulates only 4 years of Bob Dylan’s early rise to stardom (from 1961 to 1965), which should have been an easier task than trying to highlight events over Dylan’s 50+ year career, the writers nevertheless broke no new ground in the method of telling the story. The screenplay had a formulaic feel to it, even though director
James Mangold had previously directed and co-wrote the excellent biopic of Johnny Cash,
Walk the Line (2005). So Mangold’s reputation, along with the obvious attraction of Dylan’s star power, likely were the major factors in securing the $50-$70 million funding for the project.
The chief draw in this film is the superb acting of its star and co-stars:
Timothee Chalamet as Bob Dylan,
Edward Norton as Pete Seeger, and
Elle Fanning as Sylvie Russo. Honorable mention goes to
Boyd Holbrook as Johnny Cash.
But it is Chalamet who is stunning with his near perfect impersonation of Dylan, and his ability to express moods and thoughts with the use of his eyes and facial expressions. His impression of Dylan’s singing and speaking voices, along with his not dissimilar facial resemblance to his character, combined to present an uncanny likeness of the famous musician. His portrayal is certainly the equal of Austin Butler’s in
Elvis (2022), Sissy Spacek’s Loretta Lynn in
Coal Miner’s Daughter (1980), or Dennis Quaid as Jerry Lee Lewis in
Great Balls of Fire! (1989).
It’s remarkable that Chalamet, Norton, Holbrook, and
Monica Barbaro (as Joan Baez) did their own singing and instrument playing, all the while recording their songs live during filming.
For those who were present during those early ‘60s years, and were fans of the principals, the movie is a poignant revisiting of that era. Reportedly the main driver of the project was Dylan’s then heretical use of electric instruments in opposition to the orthodoxy of the established folk music scene, and what a strong negative reaction that it caused among the seasoned folk movement. It was if Dylan had betrayed them and their collectivist philosophy. Their resentment was profound.
Many viewers in contemporary audiences will not be troubled by that distinction, since it appears in hindsight as a natural progression. Dylan was chiefly driven by his desire to express his art rather than be a representative of an established subculture. He would go on to compose and perform in many music styles in his famously eclectic career.
Though the screenplay itself is not remarkable enough to garner the highest awards, the first rate quality of the performances alone make
A Complete Unknown a fascinating picture.
Doc’s rating; 7/10