I'd be curious to know what took place in her life between the early 1930's and 1945, when she apparently came out as a big advocate for racial tolerance. Did she suddenly have a moment of enlightenment? ("OMG, what have I done?") Was there a public outcry? Did it take the Holocaust to raise people's awareness? Why the extreme change?
This is in no way an excuse or apology for the racism that passed as "humor" for many, many years. I've never understood why Al Jolson was considered such a great performer; I find his
blackface routines painful to watch. And the lyrics of some of those songs are just as awful, with or without the blackface.
I've directed a number of plays for our little theater group, based on old radio and TV shows. Wading through a lot of the old scripts, trying to find something that a modern audience would enjoy,
I've been horrified by the offensiveness of a lot of the so-called humor. And some of it was well after the period when Kate Smith sang those songs. People have such a misty-eyed fondness for those old radio shows, such as Ozzie and Harriet, Fibber McGee and Molly, even Fred Allen. (Not to mention Amos 'n Andy!) Many of those old shows can be heard again, thanks to Google, and the
scripts are available free of charge. They are horrible! Some are not as serious as the racist ones, but would we really laugh today at jokes about dumb blondes, stupid female drivers, characters who are routinely "drunk" week after week, mother-in-law jokes. etc.?
So I guess I come down on the side of those who say that level of humor is a disgusting, embarrassing part of our legacy as Americans. But punishing the performers who took part, before their consciousness was raised, is kind of pointless, especially when they have long been dead.
Which brings us to the statues of Confederate generals, streets and schools named after them, etc. What should be done about that? Isn't this Kate Smith brouhaha sort of about the same thing?