Sin City..A Dame to Kill For.. (2014)..a large cast. Micky Rourke,
Probably Bruce Willis' last film
It was interesting..as the photography was as if in comic book form.
Mostly black and white..but some touches of vibrant color (s)
I wondrred how it was filmed that way.
There were a few of them...anyone else see?
Yes! It was taken from the graphic novel series "Sin City', written by Frank Miller. The film was directed by Frank Miller and Robert Rodriquez and has an all-star cast. It's a sequel to "Sin City". If you liked "A Dame To Kill For" definitely see "Sin City". I'm a huge Robert Rodriquez fan. He's a rebel!
How it was filmed is complicated. This article explains it.
The Man Who Shot Sin City >
https://www.wired.com/2005/04/sincity/
An excerpt from the article -
"Rodriguez says, "I was looking for a good effects challenge." That’s what led him to Miller’s
Sin City. The series takes readers on an eye-popping tour of an underworld packed with tough cops, femme fatales, and seedy lowlifes. "The stories were great," he says, "but what grabbed you was the look." Miller’s black-and-white chiaroscuro style reflects an artist raised on pulp fiction and old crime movies. Every scene takes place at night or in some back alley.
Frank Miller’s noir makes Raymond Chandler look almost Techni-color. There are absolutely no midtones in the graphic novels, a trait that makes them especially problematic to portray on celluloid. "This movie wouldn’t even be possible if I shot it on film," Rodriguez says, explaining how difficult it is to capture pure black and white on camera. His workaround: Shoot the actors against a green screen and add most of the backgrounds digitally in postproduction ("All of the guns and cars are real," Miller points out). Even small details like
Sin City’s signature "white blood" proved to be an effects challenge. Regular movie blood didn’t cut it. Instead, the crew used fluorescent red liquid and hit it with a black light. This allowed Rodriguez to turn the blood "white" in postproduction. Likewise, the novel’s few splashes of color proved troublesome. Yellow and green react with green screens, causing color to spill into the background and making them impossible to separate. So during shooting Rodriguez painted the villain, Yellow Bastard, blue - and then colored him yellow in post."